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by Alastair LeeISBN: 9780711230873.
Published by Frances Lincoln
£25.00 (£20 to Members)
Alastair Lee, now aged thirty-seven,
started climbing when he was nineteen,
at which point he developed a passion
for mountaineering, and this has taken
him to most parts of the world in the last
decade. He has combined this with a love of
photography and his mountain and climbing
pictures have been widely acclaimed.
Alastair tends to start his climbs in the early hours of
the morning since this enables him to capture the
special beauty of mountains when photographed
in early light. The results contained in this book are
remarkable images of some familiar fells.
He photographs the scenes in all weathers and at
all times of day and night and his photographs show
that his determination is rewarded. He writes: ‘Once
you have reached a certain height, taking good
photographs is, in many ways, easy. But things happen
up there that you’d never experience or even know
about down in the valley. Light behaves differently up
high; everything seems sharper, although this effect
can be reversed if the cloud base is low. I love the
ethereal quality of light immediately pre- and postsunrise
in uplands, where it remains much brighter
than in the valleys.’
One chapter, entitled ‘Hidden Landscape’ and
featuring ‘Scars, mines and mysteries’, explores the
history and formation of the fells and is illustrated with
photographs taken in places ranging from Cathedral
Quarry in Little Langdale to the head of Buttermere.
In the next chapter, Alastair writes about ‘Mountain
Craft’ and climbing in the Lake District. He joins Dave
Birkett, one of the most accomplished rock climbers
in the world, on some of his climbs, including Scafell
and its East Buttress, described by Dave Birkett’s
grandfather, Jim, a phenomenal climber in the 1930s
and 1940s, as ‘the most fearsome crag in Britain’.
The chapter ‘Alpine Window’ includes photographs
of the Lake District taken in winter conditions,
showing how harsh yet beautiful the mountains can
be at such times. In the chapter entitled ‘Photographic
Notes’ Alastair describes in some detail his
photographic techniques.
I said in my conclusion to Pendle that Alastair let
the pictures do the talking and the high-quality
photography in Lake District Mountain Landscape
make this equally true of his latest book.
John Burland -
Member No. 2